It's not really NEW, but it might be new to YOU. A contemporary rhythmic addition to your playing; the all-syncopated straight 8th style which originates from the Brazilian Polka style of guitar playing. Have fun with it and let me know if it was helpful to you!
Aimee Nolte on YouTube. Hundreds of videos: performaces, piano lessons, scat lessons, tutorials and much much more! Enjoy
In this video, we pick apart Bill's 1962 recording of Danny Boy from the album Empathy that he made with Shelly Manne and Monty Budwig. We uncover some important elements of his solo piano playing, as well as some insight into his trio playing. The most important element of this recording in my opinion is the way he makes you...........wait for it.
A fairly simple arrangement of the Wayne Shorter composition, Footprints, for solo piano. This arrangement teaches block style chords, harmonizing the melody in C dorian and F dorian, as well as utilizing triadic upper extensions.
"Footprints" is a jazz standard composed by Wayne Shorter, first appearing on his 1966 album Adam's Apple. The best-known recorded version is on the 1966 Miles Davis album Miles Smiles.
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As promised, a lesson about how to lay down a good funk groove on this classic pop tune. This video follows my Mini House a concert video from yesterday where I perform in this exact style.
Chances are, if you're a beginning jazzer, you don't swing yet. You may think that you do...but you probably don't yet! I was once you. This is how I learned to swing. Hope it helps all you future swingin cats.
How to accompany yourself or a soloist on this Van Morrison classic.
Want to add some 16th notes to your blues playing, like a BOSS? Make sure you watch the other 3 videos first and then learn this lick that is sure to boost your blues game!
Another swingin blues idea for you! This one fits with the others from parts 1 and 2, and is the perfect way to increase your Blues vocabulary. Key of G.
The hippest, dirtiest Dr. John kind of New Orleans blues lick/fill you will ever learn. Key of G, but also very easy to modulate in C, F, and Bb with the same fingering!
Bill Evans was so creative in the way he chose voicings for chords. Let's take a close look at some of my favorite chord voicings from his playing and learn how we can improve our playing!
Purchase the worksheet from the video