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There are so many songs in American music with only 3 chords. Learning how to hear the difference between these chords and the way they sound and feel to you is the key to learning to play music by ear. Using an integral link to my past, I come up with a list of 20 country western songs to help you learn how to do just that.
In this video, I teach about times when a flat nine occurs in the melody, over a dominant seventh chord. Learn how to play triad extensions to increase your harmonic vocabulary with me!
Thanks, everyone for submitting your re-harms of SWV's "Weak." Time stamps and names of artists below. Make sure and leave positive feedback for these brave souls! George Higashiyama - Pavel Duda - Dov Allouch - Hugo Ronciere - Matthew Goldberg - Miguel Munteanu - Gina Mancinelli - Olli Pekkasuua - Peter Fitzsimmons - Francesco Bortolussi - Henrik Martén - Michael Low Chew Tung - Phil Spence - Harsh Shandilya - Hou C Music - Brenda Martin - Geoffrey Rayback - Paulius Skuliesius - Alex Hafezi
This is my practice routine for getting altered dominant (#5, #9 chords specifically) rootless closed-voicing chords, and diminished whole-tone scales (sometimes referred to as the 7th mode of the melodic minor scale) under my fingers and in my brain. You can get such a hip sound in your playing if you understand how these notes function in each key.
Purchase the worksheet from the videos below [PDF - 5.00 $]
In order to truly understand the music you are playing, a quick analysis is vitally important. Having an understanding of why the song does what it does, and where it does it is KEY to really absorbing it.
Get Nebula using my link for 40% off an annual subscription: https://go.nebula.tv/aimeenolte Sign up and get this course, part 2 very soon, "Creating Meaningful Motifs For Jazz Improv", "Adam and Aimee Play The Blues", and the ENTIRE Nebula platform - it's like Youtube, but for educational content only - and I always put extra material there (bonus videos you won't see on Youtube and extended cuts of my Youtube videos)
My daughter, Ella shows us the game she made up to help us remember rootless voicings! If you'd like to actually learn these rootless voicings, please refer back to my video: https://youtu.be/eqYNRwlUUPE
Purchase the worksheet from the video (see the preview) Zipped file containing the artwork made by Bill Wenzel in jpg and pdf format 5$
Ok, so you think you know about 251s - but can you recognize them when they occur in songs? Can your ears tell the difference between a major 251 and a minor? It's time to practice with me. Let's go!
Ami G and F are like magic for some reason. Those chords tend to be some of the first that people discover when they start exploring the piano and they are the building blocks for some of the greatest songs ever written and of songs YET to be written!
Choosing which altered dominant chord to play during a minor 2 5 1 can be a daunting task, but using a popular holiday classic, I attempt to demystify the process for you and make something beautiful. Recorded using Earthworks SV33 Earthworks PM40 5'3 Hallet Davis Baby Grand
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There is so much to learn before you can adequately comp - before you can successfully be the one in the band who lays down the harmony for everyone else. Whether you are a piano, organ, guitar, or vibes player in your jazz band, this video will provide an overview, but also very specific advice about how to comp - from voicings to rhythms to a deep understanding of what your purpose is as a chord instrument.
From 3rds and 7s to 6 note powerful rootless voicings, I walk you through Sonny Rollins' Airegin and discuss ALL the possibilities. Thanks for sharing and liking!
Temporary modulations to the mediant and submediant are very common in jazz and popular music. It's important to learn to recognize them when they occur, hear the difference between them and know how to predict them when playing chords by ear.
An overview of the many uses for the extremely versatile diminished 7th chord and how great composers over the last 6 decades or so have used this chord of intrigue to make rich and compelling pop songs.
This is the simplest way I know of to add some color to a diminished seventh chord. It's easy and it's fun and it might help you get chicks. (Or dudes)
Lets discuss chords, their flavors, and their inversions. Let's talk about how to hear the difference between them and then quiz you to check your progress. Answers below!
You never know when I'll decide to (and find the time to) go live, so make sure you're subscribed and that you have pressed the notification button (a little bell next to the subscribe button)!
After getting a grip on major, minor, dominant and half diminished chords, I think it's important to study fully diminished 7th chords and augmented triads, as they function harmonically in all 12 keys. This exercise will help you to make musical sounding voicings as you navigate through these types of chords.
Purchase the worksheet of the video [5 pages PDF 5.00 $]
Let's slowly go over Sunny Side Of The Street and talk about 3rds and 7s, reference my jazz bible, add the more colorful 9 and 13 and sometimes altered tones and move from chord to chord with ease.
Gain all sorts of new ideas and access to a flavor you may not have explored before with my new harmonic minor workout!
Purchase the worksheet of the video [5 pages PDF 5.00 $]
Here is a jazz tutorial to help improve the way you think about arranging standards. Using Have You Met Miss Jones, we build a solo piano arrangement, incorporating moving inner voices and using chromaticism. There is a work sheet to go along with this video: Have You Met Miss Jones For Solo Piano (with moving inner voices)
Hearing your way though changes on tough tunes is a real challenge, but is an integral part of developing your musicianship. Let's look at some tricks that can be used to help you hear those shifts in tonality and improve your improvising and raise your ear training to a new level.
John Lennon's (Just Like) Starting Over is a masterpiece in melody and harmony. He wrote it as a tribute to his heroes like Elvis, Buddy Holly and Roy Orbison, but it's much more intricate and deep than you might realize after hearing it played on the radio. Let's explore the music theory and beauty of this song.
Watch on Nebula (no ads or annoying song cuts) here: https://nebula.tv/aimeenolte
Get Nebula using my link for 40% off an annual subscription:https://go.nebula.tv/aimeenolte Watch my Nebula Class Everything I Know About Chords (Parts 1 and 2):https://nebula.tv/everything-i-know-a...
I'm so sorry that the audio cuts out. Here is the missing audio transcribed: * Alright now we're talking about diminished chords. You can draw two boxes, we'll have a minor 3rd on top, and a minor 3rd on the bottom. And we can come over here and just flat that 5th degree, g flat, and we've got a minor third there, and a minor 3rd there. * A very simple video to demonstrate how to find the notes of chords in root position (using the key of C as an example) and how to write them down, or notate them, and be able to recognize them in your reading of music. If you'd like to support me, you can do so here: https://paypal.me/aimn
Using Eleanor Rigby by the Beatles and She's Always a Woman by Billy Joel, we walk through the steps to deciphering the chords to songs, just by using our ears and our voices. For this video, I tried to take something that is fairly simple for me, accessible to everyone who knows a bit about music.
Get access to my Everything I Know About Chords course, , my 2 other Nebula Classes, Quarter Notes With Aimee Nolte, several pdfs and extended/bonus videos and the ENTIRE Nebula platform when you sign up for Nebula using my link (40% off an annual subscription) https://go.nebula.tv/aimeenolte
If you're good at figuring out chords by ear, but sometimes your ears just aren't advanced enough to do it, maybe it's because you lack knowledge about secondary dominants and this little music theory trick I'll show you!
Whether you want to play jazz, rock, pop, soul, or country music, you need to do this first! My new video, "How To Play By Ear With Chords" has a small rant in it. Show it to your piano teacher! See also: How to practice major scales
From my vacation spot in Watsonville, CA where we have a fun little lesson about how to sing the dominant chords on the bridge of Rhythm Changes, using the bebop scale.
Using the tune, "But Not For Me," I discuss open and close comping voicings for jazz piano. Email me if you would like a worksheet to go along with this video.
The early 80s came alive with this Joe Jackson hit! Why does it sound so cool? Let's dive in to the music theory and figure it out!
Figure out he chords to Eliane Elias' version of Estate with us! Turns out her version actually modulates down a perfect fourth at the B section but...it was still fun anyway! To contribute to my channel and music making efforts, click here: https://paypal.me/aimn
We're talking ADVANCED jazz piano today. How to get that magic diminished descending sound like Oscar Peterson and so many great pianists. Using upper structure and octatonic devices, we learn to decorate altered dominant chords like BOSSES. Let's DO this!
My BEST Diminished Trick - Upper Structure Diminished Exercise Score - 8 Pages PDF
Purchase the worksheet of the video [8 pages PDF 5.00 $]
Hang out with me while I talk about my favorite Elton John song, Someone Saved My Life Tonight. Pick up my new album, "Lighten Up," as well as all of my other albums here: Buy the CD "Lighten Up" from Aimee
What kind of chords do you need to sound unresolved? How can you use ambiguous harmony to ask questions within your compositions? Like if there could be music behind these very questions, what would it be?
Ever find yourself completely struggling...gasping for air as you desperately listen with all of your might to figure out which bar you are on? You solo, chorus after chorus, never knowing when to stop because you have NO idea where the top of the form is? Watch this.
Voicing simple 7th chords in every key is something all jazz pianists (and pianists who play from lead sheets in general) should be able to do. Without getting too fancy with 9ths and 13ths and altered tones, I'd like to help you be able to simply voice all major, minor, dominant and half diminished chords simply and beautifully with this very musical exercise.
Purchase the worksheet of the video [5 pages PDF 5.00 $]
To get the pdf with all of the triad iterations you see in the video, use the buttons below
Purchase the worksheet of the video [2 pages PDF 2.50 $]
A little device to get you thinking outside the box when you are improvising on a blues. Whether you are a player or a singer, get this in your ears and use it to launch you outside and then very stealthily work your way back in.
Purchase the worksheet from the video [ONLY 3.00 $]
Taking the lick I played in this video: Nat Adderley Work Song (Organ And Vocal), we discuss why it's a good vehicle for playing outside the changes on minor tunes, no matter what your instrument is, and especially if you're a singer.
Purchase the worksheet from the video [5.00 $]
Today, a new episode of Quarter Notes With Aimee Nolte comes out on Nebula! My guest is Jacky Terrasson!! Sign up for Nebula using the link below and you can see my interviews with Jacky, Larry Goldings, and Dennis Hamm! You can also get access to some of my best teaching and bonus videos for just $30 for the entire year.
https://go.nebula.tv/aimeenolte
If you're like me, you have tried to sing a 3rd part along with these two geniuses for years, and have STRUGGLED. The craftsmanship of Simon and Garfunkel goes DEEP. Explore it with me and see why it is so difficult to sing a 2nd harmony part along with the masters.
I LOVE songs that start on the IV chord! They are so compelling and interesting and I want to talk about so many of the ones that I adore with you now! From Paul McCartney to Louis Armstrong - let's do this!
Sign up for Nebula now and get ad free, bonus content as well as access to all my classes. Select your plan - and for a limited time, you have the option of choosing a LIFETIME plan for $250! https://go.nebula.tv/aimeenolte - A really effective composing device is to start with minor 6 (vi) and move to the major 1 (I) within the course of the song. It can really change the mood and captivate as well as motivate the listener! Knowledge of music theory puts power in your hands as a musician.
Leading to the IV chord with a tritone substitution is one of the quickest ways I know of to sound like a legit gospel/soul piano player. Check it out with me!
Purchase the worksheet from the video[$ 5.00]
The first 1,000 people to use the link will get a 1 month free trial of Skillshare https://skl.sh/aimeenoltemusic09231
This is the chord that shouldn't work, but does, in the right context.
It's so exciting and beautiful and I think you'll love it!
Using the tune, "My Romance," we walk through how to play this gorgeous chord in all 12 keys.
Purchase the worksheet from the video [5.00 $]
A few of my favorite jazz voicings for this wonderful chord.
A few of my favorite jazz voicings for this wonderful chord.
Purchase the worksheet from the video Only $2.5
A very simple explanation of what a tritone is, how it functions as a substitute on dominant chords. Complete with examples from tunes you know!
Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. Live performances
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