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Aimee is quickly becoming a highly sought after educator in the jazz community, since launching her YouTube channel, Aimee Nolte Music. She spent a 10 day stint as an instructor for the renowned vocal coach David Braid's VocalizeU camp in Malibu during the summer of 2016 and has appeared as a featured artist/clinician/adjudicator at numerous jazz festivals around the country, including Univeristy Of Northern Michigan, Fullerton College, South Plains College, The Hilton Head Jazz Camp and BYU School of Music University of Mary in Bismark, ND, as well as many online masterclass engagements during the pandemic. Aimee continues to teach clinics and master classes to students who want to learn to scat sing like serious jazz musicians, and players who want to take their improvisation game to the next level.
In this third episode, my son, Louis helps me show how to find the third or the "mi" to start recognizing where to begin making up your own harmony. Try to put yourself in his spot and predict the notes he sings before he sings them...and then we leave room for you at the end for you to sing a note on your own, in three part harmony with us!
If you've ever wondered how to get away from sheet music, and play by ear, this is the spot for you! Get away from that written music. It's holding you back! There's a whole world of melodies and harmonies for you discover, and they are already IN YOUR HEAD! Learn how to transfer them to your fingers.
Just a little reminder to take a good look inside and remember why you are playing music...for the love of it...for the enjoyment...for the FUN!
Originally published on: Learn Jazz Standard By Brent Vaartstra
"Welcome to episode 60 of the LJS Podcast where today we have special guest jazz pianist and vocalist Aimee Nolte on the show to talk about developing relative pitch. Wouldn’t it be awesome to hear a note being played and know exactly what it is, even if you don’t have perfect pitch? Aimee teaches us how. Listen in!"
This is what I think about scales. What are they good for? When should you use them? Which ones should you use? My philosophy about these questions and how I teach my students to learn and use scales. See also How to practice major scales.
Using Eleanor Rigby by the Beatles and She's Always a Woman by Billy Joel, we walk through the steps to deciphering the chords to songs, just by using our ears and our voices. For this video, I tried to take something that is fairly simple for me, accessible to everyone who knows a bit about music.
This is the simplest way I know of to add some color to a diminished seventh chord. It's easy and it's fun and it might help you get chicks. (Or dudes)
A very very easy way of looking at the modes of the major scale. What are they? How do you play them and use them and transpose them? I do my best to answer all of these questions and a few more.
Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. Live performances
Please join my YouTube channel Aimee Nolte Music with hundreds of videos! Teaching section
