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Aimee is quickly becoming a highly sought after educator in the jazz community, since launching her YouTube channel, Aimee Nolte Music. She spent a 10 day stint as an instructor for the renowned vocal coach David Braid's VocalizeU camp in Malibu during the summer of 2016 and has appeared as a featured artist/clinician/adjudicator at numerous jazz festivals around the country, including Univeristy Of Northern Michigan, Fullerton College, South Plains College, The Hilton Head Jazz Camp and BYU School of Music University of Mary in Bismark, ND, as well as many online masterclass engagements during the pandemic. Aimee continues to teach clinics and master classes to students who want to learn to scat sing like serious jazz musicians, and players who want to take their improvisation game to the next level.
See the follow up, more in-depth video exclusively on Nebula now! https://nebula.tv/videos/aimeenolte-u... At least one secret, anyway! Upper structure triads are the best way I know to convey a huge amount of information in a very concise way. Jazz harmony might just become much more manageable for you if you try understanding it in this way. See if it works for you! Sign up for my Nebula Class here: https://nebulaclasses.com/aimeenolte
I LOVE songs that start on the IV chord! They are so compelling and interesting and I want to talk about so many of the ones that I adore with you now! From Paul McCartney to Louis Armstrong - let's do this!
Watch your jazz piano playing come to LIFE when you add stacks of 4ths!
A gentle first step toward getting that "block chord" sound into your jazz piano playing, just like George Shearing.
https://nebula.tv/aimeenolte See this video on Nebula for free (and get the pdf) and then sign up if the spirit moves you! Using examples from Miles Davis's and Dizzy Gillespie's bands, I talk about what it's like to solo over "a tag" and actually solo over one for over 11 minutes on the piano. 1-6-2-5, 3-6-2-5, and other variations are such an integral part of the jazz vocabulary!
Using famous solos by Eddie Van Halen, Mark Knopfler, George Harrison, and Slash, we look at what it takes to actually "take a solo." What goes on behind the solo, what is in the mind of the performer - the chords, the form of the song, and the confines and freedoms that go into soloing.
How is your knowledge of the blues? Do you think you can recognize these obscure blueses - and can I fool you with a couple that aren't anywhere close to being blueses? We'll talk form, music theory, style, meter and have a bunch of fun while we play this game or sorts.
Get Transcribe Plus with this code: https://apple.co/3ARkcwY
Let's look at this killer sixteenth note blues lick that I transcribed from Dizzy Gillespie and how I went about teaching myself to use it everywhere possible as I work on my jazz improv.
Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. Live performances
Please join my YouTube channel Aimee Nolte Music with hundreds of videos! Teaching section
