Make sure to watch Part 1 about McCoy Tyner And Anticipatory Pentatonics before watching this video which analyzes the quartal harmony and complexities that make up "that Tyner sound."
If you'd like to donate to my channel, please do so here: https://paypal.me/aimn
Continue Reading
On Coltrane's Untitled 11383 from the Both Directions At Once album, McCoy Tyner takes an epic solo that employs a technique I like to call "Anticipatory Pentatonics." Dive deep into my transcription and learn what makes McCoy Tyner one of the greatest pianist that has ever lived. Buy the album "Both Direction at Once - The Lost Album" here: https://amzn.to/2BvafW2
Continue Reading
Choosing which altered dominant chord to play during a minor 2 5 1 can be a daunting task, but using a popular holiday classic, I attempt to demystify the process for you and make something beautiful. Recorded using Earthworks SV33 Earthworks PM40 5'3 Hallet Davis Baby Grand
If you'd like to donate to my channel, please do so here: https://paypal.me/aimn
Continue Reading
A friend gave me a new (well, new to me) idea this week and I wanted to share it with you. It's a super-fun challenge and it involves singing Bach 2 part inventions as cleanly as possible. Sit down and get some new practice routine ideas with me as we tackle this challenge, and it's variants.
Continue Reading
This is the second lesson in my harmony series. In this lesson, we learn a more complicated harmony, using the old song, You Are My Sunshine.
Continue Reading
Ever wish you could sing a nice harmony along with someone? Where do you start? You start right here, with this simple concept of the common tone.
Continue Reading
In order to start swinging in your soloing and melodic phrasing, you have to have listened to A LOT OF JAZZ. But also, you need to look closely at these elements and add them to your busy practice schedule. Let's look at The Beatles, Miles Davis, The Basie Orchestra, and Red Garland for our answers. Recorded using Earthworks SV33 Vocal Condenser Mic
Earthworks PM40 Piano Mic
Continue Reading
When we take a solo, where do our brains go? Are we strictly feeling what's about to come out, or are we calculating every move as we go? Discussing time feel, scale-based ideas, self-imposed limits, melodic skips and sequencing, I walk you through my own thought process to try and get to the bottom of this question, using "Just The Two Of Us" as for chord changes. See also: Funk Piano Tutorial: Just The Two Of Us
Continue Reading