Press on "buy now" or on "add to cart" (if you want to buy more items: discounts are available if you reach 16$). You will be brought to Paypal. After the payment click the button on Paypal that will bring you back to the seller's site(don't press the back-button on the browser). You will be sent to a page containing the download links. Now your file(s) are ready to be downloaded. Be sure and check the email that you have associated with PayPal. The link for the downloads will be sent to your mail too. You still cannot download the files? Write me or Aimee.
Compare and contrast my two transcriptions of Bill Evans' recordings of Leonard Bernstein's "Lucky To Be Me" with me. One is the Riverside recording on the album, Everybody Digs Bill Evans, and the other is from a recording someone sent me about 18 years ago, that I cannot identify, unfortunately. Recorded using Earthworks SV33 Earthworks PM40 5'3 Hallet Davis Baby Grand
It's time for some feel good requests to celebrate my DANG BIRTHDAY! Thanks for the fun hang, everyone. Stick around till the end to hear a pretty fun "My Favorite Things." If you'd like to contribute to my channel and music-making efforts, please click here: https://paypal.me/aimn
From 1979-2018, Steve Call taught tuba, euphonium, jazz piano, jazz improv, and jazz history/studies at Brigham Young University. When I came to BYU to audition in 1995, Steve is the one who heard me and decided to let me in to the school with a partial scholarship. He directed The Jazz Legacy Dixieland Band combo that I was a part of for 3 years, and taught me so much about what kind of musician I wanted to be. I owe so much of what I am today to Steve.
It's not really NEW, but it might be new to YOU. A contemporary rhythmic addition to your playing; the all-syncopated straight 8th style which originates from the Brazilian Polka style of guitar playing. Have fun with it and let me know if it was helpful to you!
Ever wish you could play piano while you sing? Maybe you wish you could play for your students or other vocalists, or instrumentalists. In this series, I teach you all of the important steps to start to be REALLY good at it! Walking bass lines, voicings, rhythms, styles...it's all right here.
In this video, I teach about times when a flat nine occurs in the melody, over a dominant seventh chord. Learn how to play triad extensions to increase your harmonic vocabulary with me!
The wonderful, swinging, Rebecca Kilgore is in town and hanging out with me for a few hours before her concert! We will take your requests and answer any questions you might have for us!
I know I preach a lot of information about improvisation. I'm not sure that I follow it all in this performance of Harold Arlen's "Let's Fall In Love," but sometimes, I don't know...you just gotta go for it. Improvising in harmony with myself is something I work on quite a bit, but I rarely show it. I hope that will change as I practice more. Recorded using Earthworks SV33 Earthworks PM40 5'3 Hallet Davis Baby Grand Panasonic Lumix G85 - Details on Aimee's Gear
I layed down this track and sent it to my friend, Justin over in Atlanta and he worked his magic with those brushes, just like I knew he would. I've always loved this song; this portrait of a street performer who had seen better days. I hope you enjoy it.
On July 11, 2018 in Bluffton, South Carolina at a great listening space/bar called "The Roasting Room," I got to perform with one of my favorite people on the planet. Hope you enjoy it!
Footage and audio from my gig at The Blue Whale in Los Angeles on November 18, 2019 Guitar: Mike Scott Bass: Bruce Lett Drums: James Yoshizawa Audio mixed and recorded by Jonny Maia Video recorded by my husband, John.
Recorded at 2:00am on July 1, 2017 by my sweet new friends, Dominique and Ty Walker from Chicago at The Green Mill. The wonderfully musical and lyrical Eric Shneider ran the jam and invited me to play and then to sing a few tunes. It was an honor to share the stage with this man who has toured with Earl Fatha Hines and Count Basie, as well as to meet and play with the house pianist, Dennis Luxion and some energetic kids who were there to sharpen their skills. It's always an amazing feeling to drive into a new city and immediately have new friends to make music with. Magical.
Personnel:Aimee Nolte (piano vocal) Mike Scott (guitar) Bruce Lett (bass) Kendall Kay (drums) Tracks: So In Love, Moon River, If I Should Lose You, Stars Fell On Alabama, I Remember You. Filmed on a Panasonic Lumix GH8 Recording mic mounted on camera: Rode Videomicro Compact Aimee's vocal mic: American Audio VPS-80 If you'd like to support me, you can do so here: https:paypal.me/aimn
This video is about Aimee Nolte Live At The Roasting Room (With Taylor Roberts And Justin Varnes) July 2018 Bluffton, South Carolina. I’d like to let you know I got the audio from the house mix at the Roasting Room. Unfortunately, the guitar level in the house was low and distorting at times. It wasn’t that way in the monitors that night...but anyway I’m sorry about the distortion. Also, the video switches about half way through to a worse camera and angle but it’s the best I could do. I was also borrowing a keyboard that was new to me and making me feel uncomfortable all night...but when you are traveling and gigging you get what you get sometimes. Hope you all enjoy it. It was a fun night!
Some fun excerpts from my performance at the Sea Pines country club in Hilton Head, SC with local musicians, Jackson Evans (guitar), Brett Belanger (bass), and Justin Varnes (drums). It was a great way to wrap up the week! Unfortunate lighting, but I was glad for what we got. Thanks to James Berry for running the camera for me.
This was my video for Jam Of The Week on Facebook this week to celebrate one of my hero's birthdays...Mr. John Coltrane. I didn't have much time so I stopped and got a little crazy with this!
Aimee, Mike Scott (guitar), Roger Shew (bass), and Sean Fitzpatrick (drums) play Aimee's arrangement of "Light My Fire" at The Hip Kitty. February 5, 2015
Once in a while, I suppose I might rant a little bit. This is something that has been troubling me, and I needed to say what I am feeling about it. I think the future of vocal jazz is in trouble, unless we remember the importance of improvisation.
This is a sampling of my 7 video bebop series for instrumentalists and vocalists. Using the blues, the bebop scale, classic licks from Bird and Diz, and much more, learn how to become a great bebop soloist and let's have some fun while we do it!
Aimee's Top 25 jazz songs to know & autograph. People often wonder which jazz tunes they should learn first. I have carefully selected 25 of the most important jazz standards, and placed them in an order that I think is good for beginners.
Purchase the listfrom the video below [5$ - 1 page PDF- just a list of songs: PLEASE see the preview]
All The Things You Are: Jazz Improvisation Lesson - For instrumentalists and singers: A very detailed look at the first 8 bars of the popular standard. Discussion includes a very melodic and "ears" approach, modes to use, chord tones to aim for, bebop lines and how to create them, and rhythmic placement of lines to add an element of surprise to your solo.
This is my practice routine for getting altered dominant (#5, #9 chords specifically) rootless closed-voicing chords, and diminished whole-tone scales (sometimes referred to as the 7th mode of the melodic minor scale) under my fingers and in my brain. You can get such a hip sound in your playing if you understand how these notes function in each key.
Purchase the worksheet from the videos below[PDF - 5.00 $]
Gianna's father contacted me and asked if I had room for his daughter to take some lessons. After hearing her play, you'll know why I jumped at the chance. We are having a blast together, and she's working so hard, I just had to share it with you.
The bebop scale is a descending major scale, with a flatted seventh added that is typically used over a dominant or V7 chord when improvising. Let's make sure we know how to finger it.
Purchase the worksheet from the videos below[5.00 $]
Take a look at my collection of transcriptions with me, Sound of Love - My Man’s Gone Now - Nardis - How Deep is the Ocean - Lucky to be me - Danny Boy - Blue in Green - Israel - Milestone - People... and more...
Choosing which altered dominant chord to play during a minor 2 5 1 can be a daunting task, but using a popular holiday classic, I attempt to demystify the process for you and make something beautiful. Recorded using Earthworks SV33 Earthworks PM40 5'3 Hallet Davis Baby Grand
If you'd like to donate to my channel, please do so here: https://paypal.me/aimn
Phrasing is everything. Learn some iconic phrases from jazz greats with me and practice articulating the phrase with precision! Buy the pdf with licks written out with syllables.
Some ideas about how to comp on this classic jazz standard, as well as a fun idea at the end of the video based on montuno rhythms. If you'd like the worksheet for that final idea: Comping On Sonny Rollins' "St. Thomas"
Now that you can walk a bass line, and know which notes to play for a nice 4-note voicing sound with your right hand, let's talk about rhythm and give you something to practice!
Now that you can walk a bass line, and know which notes to play for a nice 4-note voicing sound with your right hand, let's talk about rhythm and give you something to practice!
Purchase the worksheet from the videos below[PDF - 5.00 $]
Temporary modulations to the mediant and submediant are very common in jazz and popular music. It's important to learn to recognize them when they occur, hear the difference between them and know how to predict them when playing chords by ear.
Can you tell the difference between these iconic jazz vocalists? Let's listen very carefully and notice the subtle nuances as well as major stylistic choices that put each of these singers in a league of their own.
In this video, we pick apart Bill's 1962 recording of Danny Boy from the album Empathy that he made with Shelly Manne and Monty Budwig. We uncover some important elements of his solo piano playing, as well as some insight into his trio playing. The most important element of this recording in my opinion is the way he makes you...........wait for it.
Using Mr. Tyner's playing from "My Favorite Things," this video looks at what a tempered, patient, calculated player he can be, and at the same time invent timeless melodies and demonstrate amazing technical prowess. I hope this video makes you an even bigger fan than you already were! Lesson available: Discovering McCoy Tyner worksheet
Using Mr. Tyner's playing from "My Favorite Things," this video looks at what a tempered, patient, calculated player he can be, and at the same time invent timeless melodies and demonstrate amazing technical prowess. I hope this video makes you an even bigger fan than you already were!
This PDF is ONLY page 6 of the transcription. Not the entirety.
"Do You Know What It Means to Miss New Orleans" is a song written by Eddie DeLange and Louis Alter, which was first heard in the movie New Orleans in 1947, where it was performed by Louis Armstrong and sung by Billie Holiday.
This is my new friend, Donaldo who stopped by for a lesson on his trip to Los Angeles. He's visiting from Nicaragua and he's trying to learn how to build a jazz solo. I was so happy to help! If you'd like to support my channel, you can donate here: https://paypal.me/aimn
This is an exercise that takes you through all 12 keys, using a minor ii V i lick, that will help you to be able to hear an altered dominant extension...a triad, based on the flat five of the dominant chord. I like this one because it's melodic and pretty and can be easily used in improvisation while soloing over tunes.
Playing ii V I licks in all keys is one of the best ways I know to improve your soloing skills.There's no better way to get new phrases into your head then by figuring them out in all the keys and drilling them over and over.
Purchase the worksheet of the video[PDF (20+ pages): 5.00 $]
Playing minor ii V i licks in all keys is one of the best ways I know to improve your soloing skills.There's no better way to get new phrases into your head then by figuring them out in all the keys and drilling them over and over.
Purchase the worksheet of the video[PDF (20 pages): 5.00 $]
3 pages PDF of the song "Falling Snow" by Aimee Nolte. (please go purchase my new single, "Falling Snow" from iTunes, Amazon or Google Play TODAY! Thank you!!). If you want the chart of the song, here is the PDF
Purchase the worksheet of the song "Falling Snow"[PDF - 5.00 $]
In this video, we delve deep into how to figure out more complex chords to songs by taking educated guesses, using our ears to hear bass notes, singing inner voices, and drawing on our musicianship and knowledge!
A fairly simple arrangement of the Wayne Shorter composition, Footprints, for solo piano. This arrangement teaches block style chords, harmonizing the melody in C dorian and F dorian, as well as utilizing triadic upper extensions. "Footprints" is a jazz standard composed by Wayne Shorter, first appearing on his 1966 album Adam's Apple. The best-known recorded version is on the 1966 Miles Davis album Miles Smiles.
Freedom Jazz Dance” is a jazz-rock piece that was composed by Eddie Harris in 1965. The “free” in the title comes from the fact that there’s only one chord, a Bb7, and during your solos you can basically play anything you like over it, going “inside” and “outside” at will.
Practise your favourite Jazz songs with this interactive and unpredictable Play-along. Genius Jamtracks opens the door to the world of the polyrhythmic jazz vocabulary established by the great jazz improvisers.
Polyrhythms, long part of the jazz vocabulary, were consolidated and brought to a whole new level in the early 60s by the masters of that era and are a core element of contemporary jazz improvisation and composition.
Genius Jamtracks is available for IPhone, IPad and soon it will be available for Android too.
Simon Fransman (subscribe to him here: https://www.youtube.com/channel/UCIglhQNl15_hi0M0FD2BFCQ ) Released this amazing piece of work today, and I love it. Katy Perry's "Roar" but it's John Coltrane's "Giant Steps." I had to take a solo over it.
Just playing and singing one of my favorite tunes! Have You Met Miss Jones?" is a popular song that was written for the musical comedy, I'd Rather Be Right. The music was written by Richard Rodgers and the lyrics by Lorenz Hart. The song was published in 1937. In the musical the song is performed by characters Peggy Jones and Phil Barker. In the 1937 version these characters were played by Joy Hodges and Austin Marshall. The song's bridge, featuring key motion by major thirds, may have served as an inspiration to John Coltrane in the development of "Coltrane changes"
Purchase the worksheet from the videos below[PDF - 5.00 $]
Here is a jazz tutorial to help improve the way you think about arranging standards. Using Have You Met Miss Jones, we build a solo piano arrangement, incorporating moving inner voices and using chromaticism. There is a work sheet to go along with this video: Have You Met Miss Jones For Solo Piano (with moving inner voices)
Here is a jazz tutorial to help improve the way you think about arranging standards. Using Have You Met Miss Jones, we build a solo piano arrangement, incorporating moving inner voices and using chromaticism.
Hearing your way though changes on tough tunes is a real challenge, but is an integral part of developing your musicianship. Let's look at some tricks that can be used to help you hear those shifts in tonality and improve your improvising and raise your ear training to a new level.
My favorite jazz players don't show me everything at once. They have the courage to leave me wanting more...waiting to see what they will do next. Finding truth in your improvisation is KEY. Recorded using Earthworks SV33 Earthworks PM40 5'3 Hallet Davis Baby Grand
I am answering questions from viewers in this lesson about how to go about learning to play in the bebop style. We discuss learning heads, and the advantages and disadvantage is to Charlie Parkers OmniBook. It's a little bit of philosophy and a little bit of preaching by me. :) Stick with me. I think these things are important.
A two-part series about how to improvise over these famous chord changes. In this video, we talk about how to use the blues to make our way over Rhythm Changes and sound super hip. Watch for part two where we will discuss Bebop lines.
By using 3 simple elements, you can take nearly any jazz standard and arrange it for solo piano. Hang out and see how by playing a simple bass line, the melody, some 3rd and 7 comping rhythms, and harmonizing in 3rds and 6ths can transform your playing. Bluesette is a jazz standard, composed by Toots Thielemans. It was composed in the key of B-flat major. First recorded by Toots Thielemans in 1961, with lyrics added by Norman Gimbel, the song became an international hit.
Purchase the worksheet from the videos below[2 pages PDF - 5.00 $]
The best way to learn to scat, is to copy somebody else. It can be difficult to figure out syllables and phrasing, but if you have someone to imitate, it gets easier.
Thanks to everyone who accepted the challenge to play along with me on Green Dolphin Street and Someday My Prince Will Come in the "I Accompany You" first episode! It was fun to hear players of all levels submit and have fun playing along with me. We will do it again soon!
"I Accompany You" is a series where I give you a chance to play while I take a back seat and provide you with a play along. It's also a chance to video yourself playing along with me and send it in for a chance to be in my "I Accompany You | Submissions" video soon! The deadline for this one is Sept 17, 2017 The MP3 will be up soon as well if you'd like to practice along with it. Send submissions to either song, but NOT BOTH to This email address is being protected from spambots. You need JavaScript enabled to view it.
Thanks to everyone who sent in videos! It was fun to put them all together and make another virtual band. This time, there were drummers! I was excited. We will do another one soon!
Come hang out and practice so many ii V I ideas with me. Listen and then sing back what you heard. At the end, there is a chance to sing while I play for you. Make sure and watch the other parts of the tutorial before this one and have fun!
Purchase the worksheet from the video [PDF 5.00 $]
My friend and student, Brenda Martin came over for a lesson today and we worked on Altman/Lawrence tune, "All Or Nothing At All." Here are the topics addressed and time stamps so you can easily navigate through the video, however it's quite a journey and I would recommend watching it from start to finish, to understand the context and...the journey.
I'm so stoked to have my good friend, Steve Cotter come over for a few hours this morning for some good conversation, and swinging tunes! Steve's playing is so tasty and sophisticated, and you're going to love hearing what he has to say, as well as hearing him play. But Not For Me - Falling In Love With Love - All Too Soon - Someday My Prince Will Come. If you'd like to donate to my channel, please do so here: https://paypal.me/aimn
Jake Reichbart is an amazing guitarist! He plays mainly fingerstyle guitar and he can play any song in a sophisticated guitar arrangement! He has a great Youtube channel where he publish a new song each week.
Taking your live requests and questions, and hanging out with these two giants of musicians from Utah: Kris Johnson and David Halliday. To donate to my channel, please click here: https://paypal.me/aimn
Chances are, if you're a beginning jazzer, you don't swing yet. You may think that you do... but you probably don't yet! I was once you. This is how I learned to swing. Hope it helps all you future swingin cats.
Using the tune "I Love You, For Sentimental Reasons", I show you in this video how to play in the spaces; the places where there is a break in the melody and room for a little ad lib to move the song along and give it some motion and variety. Watch and see when to use piano fills and how to create them!
This is my very simple method for how to start playing solo jazz piano. After watching this video, players should be able to take care of the melody, the comping and the bass line, all by themselves.
John Clayton is a natural born multitasker. The multiple roles in which he excels — composer, arranger, conductor, producer, educator, and yes, extraordinary bassist — garner him a number of challenging assignments and commissions. With a Grammy on his shelf and eight additional nominations, artists such as Diana Krall, Paul McCartney, Regina Carter, Dee Dee Bridgewater, Gladys Knight, Queen Latifah, and Charles Aznavour vie for a spot on his crowded calendar
Live Hang Out Time! If you'd like to donate to my album, please click the following link and leave me a note with your email address in it so you can get the extras I will throw your way!https://paypal.me/aimn Thank you! Gear: Earthworks SV33 vocal studio mic Earthworks PM40 piano mic Presonus Studiolive AR8
Figure out he chords to Eliane Elias' version of Estate with us! Turns out her version actually modulates down a perfect fourth at the B section but...it was still fun anyway! To contribute to my channel and music making efforts, click here: https://paypal.me/aimn
Sometimes I like to limit myself in my practice. Here is an example about how only practicing triplets can expand your thinking and your hearing and your plane. See also: There Will Never Be Another You (Bebop With Limits). If you would like to support me, you may do so here: https://PayPal.me/AimN
Over 1 hour video - Aimee Nolte Live And Figuring Out LICKS Of Your Choice! We figured out Bill Evans, Benny Golson, Stevie Wonder, Stan Getz, Muse, and Tribal Tech licks LIVE just now. Make sure and subscribe to my YouTube channel, Aimee Nolte Music to be a part of these live sessions. It doesn’t cost a penny and it’s super fun. Enjoy and share please! If you’d like to support my channel, click here to donate: https://paypal.me/aimn
One hour with Aimee Nolte taking live Live Requests 1/6/2018 - Angel Eyes, Danny Boy, Sunrise (Norah Jones), There Will Never Be Another You, #MeeToo, Time After Time, My Baby Just Cares for Me, and many more... To donate to my channel, please click here: https://paypal.me/aimn
Live november 7th 2017 - Bridge over Troubled Water (Simon and Garfunkel) - Time After Time (Cindy Lauper) - They long to be (Close To You) - Burt Bacharach - Misty (Erroll Garner) - Take The A Train (Billy Strayhorn) Giant Steps (John Coltane)... and much more! Also featuring John Nolte!
Lyrical Blues from the 3 Sonnies - Sonny Stitt - Sonny Rollins - Sonny Criss - The blues scale is a great tool for beginners, but what do you do to make your solo reach a little further and become memorable? I'm just gonna step back and let Sonny Stitt, Sonny Rollins, and Sonny Criss show you how it's done!
Purchase the worksheet from the videos below[PDF - 5.00 $]
Make sure to watch Part 1 about McCoy Tyner And Anticipatory Pentatonics before watching this video which analyzes the quartal harmony and complexities that make up "that Tyner sound."
Maria Schafer is a talented vocalist with one of the sweetest tones you'll ever hear. Hang out for awhile with the two of us as we sing together and talk about her 2 years with the Glen Miller Orchestra and her new projects.
One of my favorite Hoagy Carmichael compositions, recorded with my new equipment! Memphis In June paints a beautiful picture of the South, like only Hoagy Carmichael could do. If you'd like to support my channel, please donate here: https://paypal.me/aimn
This is a little demonstration video, using "There Is No Greater Love" (Isham Jones/Marty Symes) to launch us into my next video with nearly the same title, when we will analyze and break down what I have done and talk about how to apply these techniques to your own playing. Congrats to Katie Ward who transcribed two choruses and sent it to me! Three pages PDF is now available! She is getting a free Skype lesson with me. Katie Ward you are really cool! Thank you!
Mike and I played a duo concert and gave a mini clinic at Fullerton College on Nov 8, 2019. It was so fun, I wanted to share it with you. Here are our favorite excerpts. Recorded using my Rode NT4, and Rode VideoMicro, in two locations. The NT4 was just off the stage, and the VideoMicro was atop my camera, near a speaker.
Jazz Piano: 2nd Step - 3rds, 7s, And Melody On Misty - This video follows "Jazz Piano: WHERE TO START (ii V7 Is with 3rds & 7s)" and shows you how to apply what you learned about roots, 3rds and 7s to the jazz standard, Misty.
